LOVE STORY
Česká republika, 2011, 50 min
Petra Ludvíková
27.01.2012 21:15
Desmond Love is a mature man and feels and behaves so. He likes to smoke his pipe and looks after his ducks. Men usually like talking about cars and Dessy´s favourite subject are his two shopping-trolleys. He parks them in front of his house nad likes to enhance them with various details. Desmond is one of the residents at Camphill Clanabogan, that means a person with mental handicap. In the scope of a therapy, he learns how to write on a computer. He writes his own story. This documentary amended with short cartoons let us glimp into Dessys´s memories – word after word, exactly as he remembered them. At the same time, we have got a chance to see Dessys´s home and everyday-life of Camphill community with its permanent inhabitants: mentally disabled people, young volunteers and people, who control and administrate the home.
Petra works as a Project manager of Palace Akropolis and also as a moderator of Radio 1. She organises culture events, foreign concerts, music workshops etc. In the past, she worked as e.g. editress of genre programmes on TV Óčko and in the production of annual film awards Český lev organised by a production company VAC. Love Story is her film debut which she made in cooperation with experienced cameramen Martin Čech, mister of sound Petr Stýbl and an editor Lucie Haladova. It Camphill Clanabogan, where the film takes place, at first she spent 3 months as a volunteer.
Director and production: Petra Ludvíková
Language of dialogies: English
Language of subtitles: Czech
In the middle of the 20th century a numerous group of Moravian reformed evangelicals from the surroundings of Kloubouky u Brna came to the area of Serbien Banat in Vojvodina. One-and-half-century-lasting existence of the reformed charge brought to its members much suffering borne by a process of big history stretching up to the presence. At the beginning of the 21st century the community of Czech speaking reformed evangelicals is dwelling at the verge of determination as the source of belief has been abandoned by the younger generation due to migration and impacts of modern era. The documentary focuses on historical turning points and fates of several charge members. In the foreground, inner latent godlines of the remaining descendants of the Moravian transmigrants appears which represents collective memory and symbolical universum – sources of preserved ethnicity. Faith, fate, presence as experienced past, experienced past as a garvestone.