ČERVENÁ RŮŽIČKO, PROČ SE NEZOZVÍJÍŠ. DOUDLEBSKÁ MASOPUSTNÍ KOLEDA: TANEC, IDENTITA, STATUS A INTEGRACE
Czech Republic, 2008, 35 min
Daniela Stavělová
30.01.2010 15:50
The documentary film is a part of a multimedia study which consists of visual and editorial parts. Apart from the film, the DVD offers thematically digested shots recorded in scope of the research and a photogallery. Visual as well as editorial part connects possibilities of verbal and visual language and is bound to serve as an interception of the complexity of the observed march and to the representation of the dance as a cultural context. The complexity should help to reveal and deliver the connotation of the traditional event in today´s local society. The documentary can be publicised separately as well and its informational value does not depend on the supporting text of the multimedia study.
Daneila Stavělová operates as a research worker at an Ethnological Institute AV ČR, V.V.I.. Her main field is ethnochoreography and anthropology of dance. In the scope of the specialisation she lectures at the department of dance at HAMU, Prague, where she organises workshops as well. She cooperates as a choreograph at designing of thematical scenical projects which deal with traditional dance and music culture. This year, Daniela Stavělová was confered an Award of Ministry of Culture for outstanding contribution in the field of folklore and for interconnecting the scientific, artisitc and pedagogical activities.
The project was executed in the scope of the research AVOZ 90580513 of the Ethnological Institute AV ČR, v.v.i. and subsidized by Ministry of Culture CR within the programme Traditional folklor culture.
Language of dialogues: Czech
Language of subtitles: English
Country Clubs or ‘Countries’ are gated communities on the outskirts of Argentina’s cities. Under the watchful eye of the private security firms hired to protect them, the clubs act as an oasis of calm for the Argentine rich. In such an environment people in the ‘Countries’ enjoy an apparently idyllic, safe existence surrounded by tennis courts, football fields, golf courses, polo pitches, shopping facilities and sometimes even private schools. Yet this film shows the dilemma and the inner-struggle of those who were born into a privileged position in a state that fails to provide social amenities, justice or peace for the majority of its people.
Desmond Love is a mature man and feels and behaves so. He likes to smoke his pipe and looks after his ducks. Men usually like talking about cars and Dessy´s favourite subject are his two shopping-trolleys. He parks them in front of his house nad likes to enhance them with various details. Desmond is one of the residents at Camphill Clanabogan, that means a person with mental handicap. In the scope of a therapy, he learns how to write on a computer. He writes his own story. This documentary amended with short cartoons let us glimp into Dessys´s memories – word after word, exactly as he remembered them. At the same time, we have got a chance to see Dessys´s home and everyday-life of Camphill community with its permanent inhabitants: mentally disabled people, young volunteers and people, who control and administrate the home.