ČERVENÁ RŮŽIČKO, PROČ SE NEZOZVÍJÍŠ. DOUDLEBSKÁ MASOPUSTNÍ KOLEDA: TANEC, IDENTITA, STATUS A INTEGRACE
Czech Republic, 2008, 35 min
Daniela Stavělová
30.01.2010 15:50
The documentary film is a part of a multimedia study which consists of visual and editorial parts. Apart from the film, the DVD offers thematically digested shots recorded in scope of the research and a photogallery. Visual as well as editorial part connects possibilities of verbal and visual language and is bound to serve as an interception of the complexity of the observed march and to the representation of the dance as a cultural context. The complexity should help to reveal and deliver the connotation of the traditional event in today´s local society. The documentary can be publicised separately as well and its informational value does not depend on the supporting text of the multimedia study.
Daneila Stavělová operates as a research worker at an Ethnological Institute AV ČR, V.V.I.. Her main field is ethnochoreography and anthropology of dance. In the scope of the specialisation she lectures at the department of dance at HAMU, Prague, where she organises workshops as well. She cooperates as a choreograph at designing of thematical scenical projects which deal with traditional dance and music culture. This year, Daniela Stavělová was confered an Award of Ministry of Culture for outstanding contribution in the field of folklore and for interconnecting the scientific, artisitc and pedagogical activities.
The project was executed in the scope of the research AVOZ 90580513 of the Ethnological Institute AV ČR, v.v.i. and subsidized by Ministry of Culture CR within the programme Traditional folklor culture.
Language of dialogues: Czech
Language of subtitles: English
In the summer of 2001 the IWF in Göttingen hosted the conference »Origins of Visual Anthropology – Putting the Past Together«. Important representatives of the field came together to discuss the history of the subdiscipline. Three students were equally interested in their visions about »The Future of Visual Anthropology«. They conducted brief interviews concerning this question with filmmakers and scholars such as Jean Rouch, Ian Dunlop, Paul Henley, Karl Heider, Howard Morphy, Peter Crawford, Harald Prins and Jay Ruby.
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