3.-4.3.2020
INTERNATIONAL FESTIVAL OF MOVIES
WITH ANTHROPOLOGICAL THEMES

ZATOPENÉ

Slovensko, 2016, 50 min
Soňa Lutherová
04.03.2020 10:40

Zatopené (Flooded) is an anthropological documentary film about a building and the fates connected to it. The mansion in Parizovce was a family residence, home, property, center of a farmstead and eventually a historical monument. Some parts of the building have been preserved and have endured through centuries, others have been flooded by the waters of the Liptovska Mara waterworks. For the descendants of the Stein family, its last owners, the mansion is a memory of a lost past. For museum curators it's a gem, a phoenix risen from the muddy waters, the pride of the Liptov region. An unusual story of the mansion from Parizovce and its last owners, that is also a reflection of the social changes in 20th century Slovakia.

Soňa G. Lutherová is a social and visual anthropologist. As a researcher at the Institute of Ethnology of the Slovak Academy of Sciences, she examines the changing identities of people in post-socialism, especially in relation to their material environment. She has lectured, researched and studied at universities in Slovakia, Czech Republic, Sweden and Austria. She is a co-author of several short documentary films and an author of visual art projects. Flooded is her screenwriting and directorial debut.

Director: Soňa G. Lutherová
Production: Barbara Harumová Hessová
Camera: Denisa Buranová
Edit: Peter Harum

Language of Dialogues: Slovak
Language of Subtitles: English

UNITY: DRESS-SCAPE OF ACCRA

Ghana, Nizozemí, 2016, 36 min
Mara Lin Visser
04.03.2020 17:45

Unity: Dress-scapes of Accra is an ethnographic film about African fashion in the capital of Ghana. The comeback of African print seems to be emerging in the fashion system of Accra. While following Allan, a fashion designer and his wife Cynthia, this mosaic film shows the great diversity of tailor-made fashion and hybrid styles; the ways the African wear is used and the expression of culture by wearing the African prints. The film highlights beautiful details by focusing on a few participants who show the mixture of different materials, cuts and styles in a creative and free atmosphere. In this way the film is not only observational, it gives people space to tell their story and show they are proud of the African wear. 

Mara Lin Visser is a visual anthropologist and filmmaker based in Amsterdam. She discovered filmmaking during the production of documentary on material culture in Volendam for her MA Visual Anthropology. The medium of film gives her the freedom to express herself, her thoughts about certain topics and academic observations in a natural way. For her film is the perfect way to explore the broad subject of material culture. With this in mind she decided to do her fieldwork in Ghana, which resulted in the film 'Unity: Dress-scapes of Accra'. She is interested in queer rights, participation society, material culture, fashion, geopolitics and art. 

Director, Camera, production, Edit, Script: Mara Lin Visser

Language of Dialogues: English, languages Ga and Twi
Language of Subtitles: Czech, English

Launching of the movie (selection):
RAI Film festival in Bristol, Great Britain; Ethnografilm, Paris, France; Ethnocineca Vienna, Austria;  Kratovo Ethnographic film Festival in Macedonia; Society for Visual Anthropology Film and Media Festival (SVAFMF); Taiwan International Ethnographic Film Festival

Trailer: https://vimeo.com/205078498

MASA

Česká republika, 2017, 32 min
M. Pavlásek, I. Bystřičan
03.03.2020 16:30

The mass is a distillation of human evolution, a parable about the treatment of substance, an image of the control over bodies that are hanged on the world’s tissue, or else disgorged from the ocean mass onto dry land, which is interwoven with bodies and the movement of hunters, gatherers, and vagabonds. Our observation of the various forms of abstracted masses, which we become part of at the same time, creates a platform of eternal presence – an active void if you will, which revolves in a closed circle, as though it had neither beginning nor end. What is left is just the stark presence of the traces of bared lives.

Michal Pavlásek  is social anthropologist, university teacher, freelance journalist and documentarist, Turkish coffee lover, researcher at the Institute of Ethnology of the Czech Academy of Sciences, Co-founder of Anthropictures - flexible association of social scientists providing independent field research. In his research focuses on migration and multuculturalism. He is author of movies Searching for the Exit (2016), Another Vojvodovo: thinking in pictures (2013), Time Bows Beneath the Burden of the Grapes. The Past, Czechs and Germans in the Serbian Banat (2012).

Ivo Bystřičan is documentary filmmaker, story-editor and screenwriter. He directed several feature documentary films like Copper Age (2010), My Last 150 000 Cigarettes (2013), Byeway (2014), Mr. Chytil´s Crime (2014), Middle Dusk (2015) and many others. He graduated from sociology at Masaryk University in Brno and documentary filmmaking at FAMU in Prague.

Director, Production, Script: M. Pavlásek, I. Bystřičan
Camera, Edit: I.Bystřičan

Language of Dialogues: English, Greek
Language of subtitles: Czech