Internet and telecommunications have penetrated the world to a degree of not even being amazing any longer. We take the ability to connect to people and machines on the other side of the planet for granted. How does this technology adapt to a mountain village in Nepal, and how does the mountain village adapt itself to it?
„The High Cybercafe“ depicts the life of two young Nepalis working in a cybercafe in Namche Bazaar, on the trail to Mount Everest. We see their working day and take a side trip to the computer lesson at the local elementary school. We witness the change as it happens.

Tanel Saimre is an Estonian researcher trained in Archaeology (MA from Tartu University, Estonia) and Visual Anthropology (M Phil, Tromsø University, Norway). He is interested in the technological aspect of human existence. He has worked on positions relating to archaeology, filmmaking, software development and many others.

production, director, camera: Tanel Saimre
dialogues: English, Nepali
subtitles: English, Czech

Launching:
NAFA International Film Festival, Tromso
Anthropological Film Festival 2012 in Ho Chi Minh City, Vietnam
Worldfilm 2013 in Tartu, Estonia

Can rap be a way out of the prison?
Hip Hop is often associated with drugs and violence and therefore seen by many as a way into prison, but Alma Negra, DJ Roky and New York, three inmates at Distrial prison in Bogota, Colombia, demonstrate the opposite. For two hours a day they are allowed to leave the courtyard to write and practice their music. Rap enables them to protest and share their experiences in life. This film tells their story and the impact Hip Hop has on them.

Simon is an ethnographic researcher and filmmaker from Utrecht, Netherlands. He attained an MA in Visual Anthropology from the Granada Centre, University of Mancester and BA in Cultural Anthropology from teh University of Utrecht. During his MA degree he has made two documentary. The latter was an ethnographic film project carried out over the summer and autumn in Bogota, Colombia.

dialogues: Spanish, subtitles: English, Czech
Production, director, camera: Simon Rasing

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At the blacksmith market in Maroua, in the Far North region of Cameroon the hammers clang all day long. Here the local blacksmiths turn scrap iron into objects for everyday use. Car bodies become wheelbarrows, truck wheels are transformed into ploughs and smaller pieces of scrap iron end up as spoons. The film is a portrait of Abakar, a young creative blacksmith pursuing his dream to medernize his workshop and to established a blacksmith enterprise. Following Abakar at the work at his workshop, at home with his family, at the meetings and exhibitions movie presents a persistent struggle of an individual to fulfill his  dreams of successful enterpreneurship, by bringing seemingly unusable pieces of iron back to life.

Konrad Pilot was born in Poland. He studied Social Anthropology with Philosophy and religion Studies as minors at the LMU in Munich, Germany and Visual Cultural Studies in Tromsø, Norway. Noise That Brings Money is his first film.

Dialogues: French, Fulfulde, subtitles: English, Czech
Production: Visuelle kulturstudier, University of Tromso, Norway
Director, camera: Konrad Pilot

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