Portugal, Great Britain, 2011, 20 min
My grandparents have known one another since childhood. Of very different characters, the familiarity underpinning their relationship has been crafted through time. Both by the small episodes of everyday life, as well as by the longer duration of their lives.
Ines Ponte was born in 1979, Lisbon, Portugal. Has a degree in Social Anthropology (Portugal, Netherlands), a post-graduation in documentary direction (Portugal), and presently develops work within visual anthropology (United Kingdom). She has worked also as editor, cameraman, production, research and writing assistant of documentary projects in Portugal.
Director: Ines Ponte
Production: Ines Ponte, Granada Centre for Visual Anthropology - University of Manchester
Language of dialogues: Portuguese
Language of subtitles: English, Czech
Česká republika, 2011, 99 min
Milan Durňak, Magdalena Koháková
What should antropological films be like? How to come to terms with alternating view of the world and with stereotypes in us? In a 3-year span, this issue kept busy an execution team around Milan Durňak who went back to his home-village to capture life of Roma people together with their Ruthenian neighbours. Every stay in the Roma colony brought one episode of a film which captures everyday life, tries to describe problems which trouble them and constantly strive to jump over their own shadows. The spectator has a chance to encounter a story in a social-cummunity centre with a hard-working mayor and festivals in the village and think about the worries and merriments of one Roma colony.
Milan Durňak graduated at Charles Univerity in Prague, main field ethnology. Currently he is working at the University as a Phd student. In his studies, he mainly deals with visual anthropology and creation of antropological films.
Director: Milan Durňak
Production: Milan Durňak, Magdalena Koháková
Language of dialogues: Slovakian, Czech, Rusyn language, Gypsy language
Language of subtitles: Slovakian
Germany, 2010, 5 min
Consuming images is a daily experience. Before learning how to read words, we learn to read pictures. Details are the keys that help us to contextualize, to compose countless notions of the whole from which we now see just the extract contained in a once chosen framing. But are we ever really able to reconstruct past moments depicted in foreign photograph that are someone´s materialized memories? Can we reach a clear undestanding of what should be remembered when already two people looking at a picture see two different picture just as two people with open eyes see two different worlds? Watching a photograph together means to journey on different paths into the past..Still the viewers eyes can meet – in a wine glass on the left bottom corner.
This short film wants to take a look at the limits of photography in reviving bygone moments to the eyes of the stranger who encodes images on the basis of his own memories and undestanding that are more and more interwoven with those of others. We add new layers of meaning to the pictures we consume and create our own truth about situatons we were initially not part of but have become as the present audience. In this way, the strange viewer enriches the unknown photograph just as it enriches him, a process of silent exchange that involves more than just the sense of sight.
Alina Trebbin is a Master´s candidate of Visual and Media Anthropology at Freie Universitat Berlin who researches among other things on the agency of photography. Meet me in memoriam is a short film she contribute to a student film compilation on haptic cinema and transcultueal montage during a Master´s Super8 workshop in 2010.
Director: Alina Trebbin
Production: Florian Walter, Mark Dolling
Language of dialogues: English
Language of subtitles: Germany
Lauching of movie:
Shortcutz Berlin, 2011
EMERGEANDSEE media arts festival Berlin 2011