LOVE STORY
Česká republika, 2011, 50 min
Petra Ludvíková
27.01.2012 21:15
Desmond Love is a mature man and feels and behaves so. He likes to smoke his pipe and looks after his ducks. Men usually like talking about cars and Dessy´s favourite subject are his two shopping-trolleys. He parks them in front of his house nad likes to enhance them with various details. Desmond is one of the residents at Camphill Clanabogan, that means a person with mental handicap. In the scope of a therapy, he learns how to write on a computer. He writes his own story. This documentary amended with short cartoons let us glimp into Dessys´s memories – word after word, exactly as he remembered them. At the same time, we have got a chance to see Dessys´s home and everyday-life of Camphill community with its permanent inhabitants: mentally disabled people, young volunteers and people, who control and administrate the home.
Petra works as a Project manager of Palace Akropolis and also as a moderator of Radio 1. She organises culture events, foreign concerts, music workshops etc. In the past, she worked as e.g. editress of genre programmes on TV Óčko and in the production of annual film awards Český lev organised by a production company VAC. Love Story is her film debut which she made in cooperation with experienced cameramen Martin Čech, mister of sound Petr Stýbl and an editor Lucie Haladova. It Camphill Clanabogan, where the film takes place, at first she spent 3 months as a volunteer.
Director and production: Petra Ludvíková
Language of dialogies: English
Language of subtitles: Czech
Documentary mosaic about Czech fellow-countrymen living in a small Serbien village. 90 years ago, family Frič desired a change. They left the rough life at mountainous Banat - the Southern promontory of Rumenien Karpats - and moved to more fertile lowlands stretching along impressive Danube. Soon the others followed.
In the summer of 2001 the IWF in Göttingen hosted the conference »Origins of Visual Anthropology – Putting the Past Together«. Important representatives of the field came together to discuss the history of the subdiscipline. Three students were equally interested in their visions about »The Future of Visual Anthropology«. They conducted brief interviews concerning this question with filmmakers and scholars such as Jean Rouch, Ian Dunlop, Paul Henley, Karl Heider, Howard Morphy, Peter Crawford, Harald Prins and Jay Ruby.