LIFE IN BUBBLES
Argentina/Switzerland, 2008, 50 min
Nadine Luchinger
30.01.2010 19:45
Country Clubs or ‘Countries’ are gated communities on the outskirts of Argentina’s cities. Under the watchful eye of the private security firms hired to protect them, the clubs act as an oasis of calm for the Argentine rich. In such an environment people in the ‘Countries’ enjoy an apparently idyllic, safe existence surrounded by tennis courts, football fields, golf courses, polo pitches, shopping facilities and sometimes even private schools. Yet this film shows the dilemma and the inner-struggle of those who were born into a privileged position in a state that fails to provide social amenities, justice or peace for the majority of its people.
Language of dialogues: Spanish
Language of subtitles: English
In the middle of the 20th century a numerous group of Moravian reformed evangelicals from the surroundings of Kloubouky u Brna came to the area of Serbien Banat in Vojvodina. One-and-half-century-lasting existence of the reformed charge brought to its members much suffering borne by a process of big history stretching up to the presence. At the beginning of the 21st century the community of Czech speaking reformed evangelicals is dwelling at the verge of determination as the source of belief has been abandoned by the younger generation due to migration and impacts of modern era. The documentary focuses on historical turning points and fates of several charge members. In the foreground, inner latent godlines of the remaining descendants of the Moravian transmigrants appears which represents collective memory and symbolical universum – sources of preserved ethnicity. Faith, fate, presence as experienced past, experienced past as a garvestone.
The documentary film is a part of a multimedia study which consists of visual and editorial parts. Apart from the film, the DVD offers thematically digested shots recorded in scope of the research and a photogallery. Visual as well as editorial part connects possibilities of verbal and visual language and is bound to serve as an interception of the complexity of the observed march and to the representation of the dance as a cultural context. The complexity should help to reveal and deliver the connotation of the traditional event in today´s local society. The documentary can be publicised separately as well and its informational value does not depend on the supporting text of the multimedia study.