THE FUTURE OF VISUAL ANTHROPOLOGY
Germany, 2006, 15 min
Martin Gruber
30.01.2010 22:05
In the summer of 2001 the IWF in Göttingen hosted the conference »Origins of Visual Anthropology – Putting the Past Together«. Important representatives of the field came together to discuss the history of the subdiscipline. Three students were equally interested in their visions about »The Future of Visual Anthropology«. They conducted brief interviews concerning this question with filmmakers and scholars such as Jean Rouch, Ian Dunlop, Paul Henley, Karl Heider, Howard Morphy, Peter Crawford, Harald Prins and Jay Ruby.
»The Future of Visual Anthrolopogy« presents the common themes that were touched upon during these conversations by juxtaposing different perspectives. The film is a reflection on how people talk and think about the future, present and past of Visual Antrhropology in 2001.
Language of dialogues: English, French
Language of subtitles: English
Salaam Aleykum Copenhagen is a short documentary about Haluk, Allan and Iman – two young boys and a girl with Turkish, Kurdish, Lebanese and Danish backgrounds living in Copenhagen. How do they confront their lives with the atmosphere of Copenhagen, their home? The film is a portrait of their attitudes towards the questions of immigration and integration, their daily problems and challenges, family values, their view on Danish society and Copenhagen itself. While presenting their worlds they are opening the doors towards understanding of Copenhagen itself. They are part of Copenhagen and Copenhagen is part of them.
In the middle of the 20th century a numerous group of Moravian reformed evangelicals from the surroundings of Kloubouky u Brna came to the area of Serbien Banat in Vojvodina. One-and-half-century-lasting existence of the reformed charge brought to its members much suffering borne by a process of big history stretching up to the presence. At the beginning of the 21st century the community of Czech speaking reformed evangelicals is dwelling at the verge of determination as the source of belief has been abandoned by the younger generation due to migration and impacts of modern era. The documentary focuses on historical turning points and fates of several charge members. In the foreground, inner latent godlines of the remaining descendants of the Moravian transmigrants appears which represents collective memory and symbolical universum – sources of preserved ethnicity. Faith, fate, presence as experienced past, experienced past as a garvestone.