KDE KREV A POT, TAM I SLZY
Czech Republic, 2009, 23 min
Michal Pavlásek
30.01.2010 17:40
In the middle of the 20th century a numerous group of Moravian reformed evangelicals from the surroundings of Kloubouky u Brna came to the area of Serbien Banat in Vojvodina. One-and-half-century-lasting existence of the reformed charge brought to its members much suffering borne by a process of big history stretching up to the presence. At the beginning of the 21st century the community of Czech speaking reformed evangelicals is dwelling at the verge of determination as the source of belief has been abandoned by the younger generation due to migration and impacts of modern era. The documentary focuses on historical turning points and fates of several charge members. In the foreground, inner latent godlines of the remaining descendants of the Moravian transmigrants appears which represents collective memory and symbolical universum – sources of preserved ethnicity. Faith, fate, presence as experienced past, experienced past as a garvestone.
Language of dialogues: Czech
The Klamath River of Oregon and California is one of the most important salmon runs in the United States. While diminished over the past 100 years, it still supports an abudance of life and diverse economies struggling over its future course. This is a film about the Indian tribes of the river ecosystem – what the Klamath means to them and how they draw on traditional and modern resources to restore its strenght, beauty and balance. The film focuses on the Klamath River and the Indian tribes of the lower basin – the Yurok, Hoopa and Karuk. Yet this story has implications for any number of river ecosystems and indigenous peoples around the world. Through the Indian tribes of the Lower Klamath, the film reminds us how the health of a people and the health of its lands are integrally linked.
Salaam Aleykum Copenhagen is a short documentary about Haluk, Allan and Iman – two young boys and a girl with Turkish, Kurdish, Lebanese and Danish backgrounds living in Copenhagen. How do they confront their lives with the atmosphere of Copenhagen, their home? The film is a portrait of their attitudes towards the questions of immigration and integration, their daily problems and challenges, family values, their view on Danish society and Copenhagen itself. While presenting their worlds they are opening the doors towards understanding of Copenhagen itself. They are part of Copenhagen and Copenhagen is part of them.